Episode 03 — Edythe Eyde
Edythe Eyde, a.k.a. Lisa Ben, moved to Los Angeles in 1945 and by 1947 was working as a secretary at RKO Pictures where she used her office typewriter as a printing press to anonymously publish her landmark “magazine” for lesbians, “Vice Versa.”
In the 1950s, when Edythe started writing for the The Ladder, the Daughters of Bilitis magazine (DOB was an organization for lesbians founded in 1955), she took the pen name “Lisa Ben” (an anagram for “lesbian”). Her first choice for a pen name had been “Ima Spinster,” but that idea was shot down by the magazine’s editors. Edythe told Eric Marcus, “I thought that was funny and they didn’t. I don’t know whether they thought it was too undignified or what, but they objected strongly. If I had been as sure of myself then as I am these days I would have said, ‘Alright, take it or leave it.’ But I wasn’t. So I invented the name Lisa Ben.”
Until five years before her death at the age of 94, Edythe lived in the Burbank, California, bungalow that she had paid for with earnings from her work as a secretary—work she hated. When age compelled her to give up her house and move to an assisted living facility, Edythe also had to give up the company of her thirteen cats, which proved to be a devastating loss.
To learn more about Edythe Eyde, we recommend exploring the following resources:
Edythe Eyde’s papers and photographs are housed at the ONE Archives at the USC Libraries.
All nine issues of “Vice Versa” are reproduced in full on Queer Music History’s website.
The Daughters of Bilitis Video Project recorded an interview with Edythe in October 1988, which is available through the Lesbian Herstory Archives. You can watch here.
In an extraordinary 2011 tribute to Edythe Eyde’s groundbreaking work publishing “Vice Versa” Union Bank, as part of its “Community Matters” spotlight series, which “highlights key individuals and places that were instrumental in creating the communities we live in today,” produced this 45-second video. We can only imagine how much this ad would have pleased Edythe.
In 2010, The Association of LGBTQ Journalists (NLGJA) welcomed Edythe Eyde into its Hall of Fame.
To learn more about how Edythe created “Vice Versa,” we recommend Rodger Streitmatter’s Unspeakable: The Rise of Gay and Lesbian Press in America, which chronicles the stories of many gays and lesbians who created LGBT-oriented publications.
And, finally, to learn more about Edythe and twenty-one other lesbian writers, read Kate Brandt’s Happy Endings: Lesbian Writers Talk About Their Lives and Work.
Edythe: [Clears throat] Uh, I’m off now?
Eric: You’re on.
Edythe: Oh, I’m on?
Eric: You can test, and I’ll just…
Edythe: Oh, okay…
Eric: …you’re ready to warm up.
Edythe: Yeah, I need to warm up a little bit. I should tune up a little bit first.
[Edythe singing]: Hello young lovers, whatever you are. I hope your problems are few. All you cute butches lined up at the bar, I’ve had a love like you…
Edythe: I knew the way I felt, but I didn’t know how to go about finding someone else that was that way and there was just no way to find out in those days. You know, everything was pretty closed about things like that.
I wrote “Vice Versa” mainly to keep myself company because I thought that although I don’t know any gay gals now, by the time I finish a couple of these magazines I’m sure I will. I was such a little optimist. And then I’ll hand the magazines out for free. I never charged for them. I felt that that would be wrong. But, uh, it was just some writing that I wanted to do to get it off my chest and I was a very lonely person and I could sort of fantasize this way by writing the magazine, you see.
And so that’s the way the magazine was. And I put in five copies at a time with carbon paper and I wrote it through twice, so that made ten copies of Vice Versa. That’s all I could manage. You see, there were no duplicating machines in those days.
I would also say to the girls as I passed the magazines out, “Now when you get through with this, don’t throw it away. Pass it on to another gay gal.” We didn’t use the term lesbian so much then. We just said gay gal.
Eric: Uh, hmm.
Edythe: And I said, and that way, although… it will pass from friend to friend. And it’s not dated material, so it will never get stale. I mean they’re just fiction and poetry and that sort of thing, book reports and things of that nature. There were very few books around at the time, but I wrote a book review on “The Well of Loneliness,” and a couple of other ones I can’t remember.
And then if there were any movies around that had the slightest tinge of two girls being interested in one another or something, I would take that story within the movie and play it up and say, “Oh, such and such a movie has a scene in it with two young ladies and they seem to be interested in one another or something like that.” I would play it up. And then I wrote poetry, not a great deal of it, but a few things.
And, uh, then, uh, oh I’d write the end… the “Watch-Ya-Me-Column.” And that was just ideas that happened off the top of my head that I would write about and say, “Wouldn’t it be wonderful if…” Or, you know, I’d just sort of, uh, uh, fantasize about… Not fantasize exactly, but…
Edythe: Imagine, thank you, umm, uh, fantasize about how things might be in the future with us or something like that.
It was a sort of a light thing, a frivolous thing, it wasn’t anything of great merit, I don’t think, but it was just to round out the magazine because I was getting awfully scarce on material.
Eric: What were some of the things you imagined in your columns?
Edythe: Well, I imagined that perhaps we would have a lot of magazines and that perhaps even movies might be made about us. And, uh, I would hope that someday we would not be looked down on with so much disdain and things of that nature.
Eric: I think that this may be where you… this is the column… this is the article, “Here to Stay.” It says, “Whether the unsympathetic majority approves or not it looks as though the third sex is here to stay.”
Edythe: Yeah, that’s the one.
Eric: Shall I read that or would you prefer to read it onto the tape because I’d like to read it onto the tape?
Edythe: So, oh, okay, go ahead.
Eric: September 1947, volume one, number four. Whether the unsympathetic majority approves or not, it looks as though the third sex is here to stay. With the advancement of psychiatry and related subjects, the world is becoming more and more aware that there are those in our midst who feel no attraction for the opposite sex. It is not an uncommon sight to observe mannishly attired women or even those dressed in more feminine garb strolling along the street hand-in-hand or even arm-in-arm, in an attitude which certainly would seem to indicate far more than mere friendliness.
Homosexuality is becoming a less and less taboo subject, and although still considered by the general public as contemptible, or treated with derision, I venture to predict that there will be a time in the future when gay folk will be accepted as part of regular society.
Edythe: I remember that.
Eric: Just as certain subjects, once considered unfit for discussion now are used as themes in many of our motion pictures, I believe that the time will come when, say, Stephen Gordon, will step unrestrained from the pages of Radclyffe Hall’s admirable novel, Well of Loneliness, onto the silver screen and once precedent has been broken by one such motion picture others will be sure to follow.
Perhaps even “Vice Versa” might be the forerunner of better magazines dedicated to the third sex, which in some future time might take their rightful place on the newsstands beside other publications to be available openly and without restriction to those who wish to read them.
In these days of frozen foods, motion picture palaces, compact apartments, modern innovations and female independence, there is no reason why a woman would have to look to a man for food and shelter in return for raising his children and keeping his house in order unless she really wants to.
Never before have circumstances and conditions been so suitable for those of lesbian tendencies.
Edythe: I guess I did use the term there.
Eric: Gives me chills! 1947. You had guts!
Edythe: Ha, ha, ha! Well, it surprises me now, too, reading back. I mean, reading this now, because I haven’t read it for so long I had to stop and think, “Well, did I write that? Or did somebody else?” but I wrote it. That’s me in there, heh, heh, heh.
Eric: That’s pretty bold stuff.
Edythe: Well, I guess it is. I never thought of it as being, uh, being bold at the time. I was just, as I say, I was just sort of fantasizing. But it all has come to pass. Heh.
Eric: What has…?
Edythe: Makes me feel like a fortune-teller. Ha, ha, ha, ha.
Yeah, that’s the key of D.
[Edith singing] If you’re disposition’s gay, be mighty glad you’re made that way.
Don’t frown ‘cause your world’s upside down.
Why should you be thought a fool for not conforming to the rule?
It has its advantages abound.
Now the ladies are the fairest sex as everybody knows.
Their charms are emphasized in ads and even movin’ picture shows.
I can’t convince the fellows I’m not daffy in the head, ‘cause I’m savin’ all my kisses for the little gal instead.
Mama nature played it smart when she tied a string around my heart and said, “No, no, no, no,” to me.
My kind of lovin’s lots of fun, but I’m glad when all is said and done there’s no, a no responsibility.
Now science claims that like repels and opposites attract, but since I’ve been in Hollywood I sure don’t know that that’s a fact.
When ere I see a likely lassie swayin’ down the street, I must curb my natural urge to whistle at each one I meet.
Never act as though you mind if people sometimes seem unkind.
Keep smilin’ though you may be blue.
And no matter what you are, if you hitch your wagon to a star, you’ll find your share of happiness, too.